This episode kicks off with the Seavers prepping Carol for what sounds like quite the cutthroat family bowling competition with the Seavers’ nemeses, the Koosmans. It’s perfectly clear within the first couple of minutes that a) the Seavers take their bowling very seriously b) for reasons unknown, they really hate the Koosmans and c) Mike is the only member of the family who can actually bowl.
Bear with me here because we’re about to do a major pivot from the bowling storyline to one about poetry. Somehow, from bowling practice, Mike segues into asking Carol for a neo-symbolist poem. Naturally, the entire family wants to know why on earth Mike would want a neo-symbolist poem, and this question prompts a classic 80s sitcom moment—a flashback sequence!
Mike takes us back in time to his English class, into which walks the girl of his dreams. She is Juliet. And she is sophisticated, which we can deduce from her hair style and fashion choices alone. She speaks multiple languages. She has lived all around the world. And apparently she is super into neo-symbolist poetry. Mike is smitten. The only problem is: Mike has nothing in common with her, most notably her passion for poetry. But he sees a way around this, which is to lie to Juliet about own love for lyrical verse…and then to promptly cover his tracks by trying to buy a poem off his sister. Clearly, this is not the foundation for any type of healthy relationship.
The entire family can tell that this is going to blow up in Mike’s face. Jason gently urges Mike to consider that eventually he will have to be himself around Juliet, but Mike is not listening. Mike’s take on relationships is that you have to lure in the ladies with lies and, once you have them firmly ensnared in your love nest, only then can you unleash your true self. Maggie and Jason seem fine to let Mike play this out as a valuable learning lesson, which seems inconsistent with their usual parenting approach, but then again if they didn’t let Mike go through with this plan there would be no episode.
Flash forward to the next day in class, and Mike is volunteering to recite a poem to his entire class. I have to assume that this would be quite a departure from his usual classroom behaviour and yet no one seems phased by it. Maybe I don’t get neo-symbolist poetry, quite likely since I actually don’t know what it is, but I have a hard time imagining anyone being impressed by this poem. Judging by the rest of Mike’s classmate’s faces, they agree with me. But not Juliet. Juliet is deep so she gets this poem in a big way and she is loving it…and Mike. She thinks his poem is “incredible” and is so relieved that Mike isn’t just some “suburban dolt”. This is the point at which we get some real insights into Juliet’s true character, which is less sophisticated than downright snobby and ultra judgmental. My take is that Mike should steer clear of this lady, but he’s got to get there on his own.
Somehow the next step in Mike and Juliet’s burgeoning relationship involves inviting her over to meet the entire family. This seems like a rapid escalation, but it appears that Mike has talked up his family so greatly that perhaps Juliet just wants to meet them all. I can’t blame her because I’d also want to meet the family that included a Pulitzer prize winner and 27-time novelist (Maggie), a painter (Jason) and a wunderkind (Ben). He’s woven quite the tale of a cultured and accomplished family, which the Seavers legitimately are even without all the lies, just not quite enough for the snobby likes of Juliet.
At first, Maggie and Jason are downright opposed to going along with Mike’s lies, but when Juliet shows up and proceeds to shower them with compliments, they change their tune. What I learn from this ‘date’ is that Juliet is a talker (like she never stops) and also takes many liberties with Mike’s names, calling him everything from Mikhail to Mishka, and I have to wonder if even a 15 year old boy wouldn’t tire of this pretty quickly. There’s other beautiful girls out there, Mike, ones that won’t call you Mishka. Anyway, it’s not long before Juliet really puts her foot in her mouth by claiming all suburbanites are braindead and I really think this has to be the point at which Maggie and Jason say enough is enough and call her out. But they don’t! They just let it slide! This is not the Maggie and Jason that I know and love.
But it turns out that they’re really setting Mike up to be punished in a better way than being embarrassed by his parents. You see, Juliet’s invited him to a performance art showing and Maggie and Jason know that simply attending this event will be punishment enough for Mike, but it’s likely to have the added bonus of forcing his lies to bubble to the surface. The only catch is that performance art night actually falls on the same night as the Seaver/Koosman family bowl-off. And, though the entire family tries to hint at this really, really hard without letting Juliet in on the fact they dare do something as uncultured as bowl, Mike still picks the girl over his family.
Just when you think Jason and Maggie will do a hard sell on the “you made a commitment and you don’t back out on commitments” line, they let us down. Sure, they say it, but they don’t enforce it at all. Jason, of course, is far too liberal to force his kids to do anything. He wants Mike to learn the hard way just how important it is to be yourself. And that he does.
The art exhibit is the beginning of the end for Mike and Juliet, because Mike is not at all getting any of the art at this show whereas Juliet is finding all sorts of deep meaning in everything. The real kicker is the actual performance art piece, which totally perplexes Mike (because it makes no sense whatsoever) but which Juliet and her friends find to be the most brilliant commentary ever. Well, Juliet’s friends are no less snobby than Juliet and they back Mike into quite a corner until he finally snaps and admits that he is just a “suburban simpleton” who likes to bowl with his family. Juliet is aghast at this admission, as are her friends, and that’s pretty much the point at which they’re all done with Mike. Mike doesn’t seem super bummed at all by this, and I’m hoping it’s because he realizes that all Juliet’s posturing is likely a mask for her own deep feelings of inferiority and unhappiness. I’m probably giving Mike a bit more credit than is due.
The positive to this love story not working out is that Mike is able to make it to the family bowling night just in the nick of time to save the day. The Seavers are able to kick the Koosman’s asses, Mike has learned a very valuable lesson about being yourself, and Maggie and Jason didn’t have to lecture him at all to get him there. Now that’s a tidy ending.
At the end of this episode, I’m left wondering:
- Who practices bowling on their living room floor with real bowling balls? That can’t be good for the floors.
- Mike pays Carol $5 for a poem. Is it just me, or is Carol majorly undercharging?
- Really, what is a neo-symbolist poem? Actually, the real question is what kind of high school student knows what a neo-symbolist poem is?
- Why is Mike having a date with Juliet and his entire family…in his living room?